Demonstration–Part 2

Hard pastel and alcohol underpainting

Hard pastel and alcohol underpainting

First application of pastel

First application of pastel

I decided to use hard pastel for my underpainting, rather than watercolor, as I want really rich color and plan to cover the entire surface with pastel. I wanted to get a rich dark behind the locust tree and I certainly got it!  The grasses inside the fence appear cooler

 in the photo and I’ve used several cool reds, while the grasses in the foreground are warmer and I’ve used several organges and reds. I used some of the same reds on the house to tie it into the landscape. There is no discernable color on the house–kind of an off white in shadow and soft light.  I’ve decided that the painting is about the tree, not the house, so I’m going to keep the values from being too extreme.

This next picture shows where I’m at right now. I’ve added pastel to the sky and house. My original thought was to put a brighter blue in the sky, but the photo influenced me and I went with a light, warm green, and some pale orange (not visible in this photo, I’m afraid). The roof of  the house is painted with a slightly cooler green that distinguishes it from the sky but keeps the values similar. There is more house right now than what I see in the photo and my plan is to add more foliage over it. I’ve used light applications of two values of cool green Girault on the house and have let the underpainting color show through. This adds more interest to the bland walls.  One of the things I notice at this point is that I’ve lost the angle of the upper fence–it needs to go down more on the left–and I will need to correct that. (Note: you might notice that the corners are taped. The board is stuck on foam core with artist’s tape, but it’s too heavy to stay and I find I need to tape the edges to keep if from landing on the floor!  I’ll finish the corners later.)

4 thoughts on “Demonstration–Part 2

    • Thanks Gloria. I’ve been wanting to get in touch with you, actually, about possible workshop next year.

  1. Jean,
    I think you’re incredibly generous to photo and give commentaries as you proceed thru your work. It’s helpful and offers insight into the thought process of your creative genius.

    • Thanks Sunny! Not so sure about the genius part, but I decided it was time to really show how I work step-by-step. I couldn’t put that many illustrations into my book, so I decided this would be a good example. Have been working and have two more pictures to share. It’s a great day to be in the studio doing this kind of more painstaking work (while trying to keep it fresh looking all the time!)

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